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・ "O" Is for Outlaw
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・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
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・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
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・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
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・ ! (disambiguation)
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・ !!Destroy-Oh-Boy!!
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・ !Arriba! La Pachanga
・ !Hero
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Canadian media : ウィキペディア英語版
Media of Canada

Canada has a well-developed media sector, but its cultural output — particularly in English films, television shows, and magazines — is often overshadowed by imports from the United States. Television, magazines, and newspapers are primarily for-profit corporations based on advertising, subscription, and other sales-related revenues. Nevertheless, both the television broadcasting and publications sectors require a number of government interventions to remain profitable, ranging from regulation that bars foreign companies in the broadcasting industry to tax laws that limit foreign competition in magazine advertising.
In the broadcasting sector, Canada has a government-funded broadcaster, the Canadian Broadcasting Corporation/Société Radio-Canada, which operates radio and TV networks in English and French. As well, some provincial governments offer their own public educational TV broadcast services as well, such as Ontario's TVOntario and Quebec's Télé-Québec. Given Canada's small market and its position next to the dominant producer of feature films, the Canadian film industry receives substantial assistance from the government. In the 2000s, about half of the budget of a typical Canadian film came from various federal and provincial government sources.
The organization Reporters Without Borders compiles and publishes an annual ranking of countries based upon the organization's assessment of their press freedom records. In 2011-12 Canada was ranked 10th out of 179 countries, which was an improvement from the preceding year.
==History==

The history of Canadian media performers goes back to the first days of radio. In the 1940s an association was formed called the Radio Artists of Toronto Society - RATS. Radio performers in Montreal, Winnipeg and Vancouver also organized to fight for artists' rights, working conditions and better fees. In 1943, the Association of Canadian Radio Artists (ACRA) was formed as a loose national coalition of actors' groups. Over the years, ACRA evolved to become the Association of Canadian Radio and Television Artists, the Canadian Council of Authors and Artists, the Association of Canadian Television and Radio Artists and, in 1984, the Alliance of Canadian Cinema, Television and Radio Artists.〔(【引用サイトリンク】title=ACTRA 2005 )
The Canadian Broadcasting Act, historically and in its modern conception, is based on the fact that since the start of the 20th century, it was important for broadcasters to ensure that information flowed freely and reflected the diversity of Canadian points of view, as opposed to the classic approach, which gives media owners more freedom to express their views. "The Canadian broadcasting system as we know it today would probably not exist if we had allowed the marketplace to regulate ownership rights."
〔(Pierre Trudel ), Professor, L.R. Wilson Chair, Information Technologies and Electronic Commerce Law, Public Law Research Centre, University of Montreal, May 29, 2003〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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